News: William Perehudoff: Architect of Color | Exhibition Catalogue Now Available, April 18, 2019 - Berry Campbell

William Perehudoff: Architect of Color | Exhibition Catalogue Now Available

April 18, 2019 - Berry Campbell

We are preparing for our William Perehudoff exhibition, Architect of Color, opening on March 21, 2019. Please read our online catalogue with essay by Fraser Radford to learn more about the artist and his career.

William Perehudoff | Architect of Color
April 25, 2019

Opening Reception
April 25, 2019
6-8 PM

News: Columbia Museum explores 'A Life in Art', April 18, 2019 - Dr. Tom Mack for Aiken Standard Art and Humanities

Columbia Museum explores 'A Life in Art'

April 18, 2019 - Dr. Tom Mack for Aiken Standard Art and Humanities

Our country, particularly New York City, became the center of the Western art world after World War II with the advent of abstract expressionism. No American artist looms larger in that movement than Jackson Pollock, and there is no more important Pollock work than his 1943 “Mural.”

Complementing the landmark display of this modern masterpiece at the Columbia Museum of Art is a temporary exhibition of works collected over six decades by South Carolina residents Dwight and Sue Emanuelson. Entitled “A Life in Art,” the exhibition features nearly seventy pieces, from major abstract expressionist paintings to iconic objects of midcentury design.

What is the genesis of this collection? Dwight Emanuelson began collecting art when he was just in his twenties, living in New York City and working as an investment advisor. He had a personal relationship with many of the artists whose work he purchased: “I’d help them manage their money, and they’d show me their art.”


News: Gallery Talk by Karen Wilkin for

Gallery Talk by Karen Wilkin for "William Perehudoff: Architect of Color"

April 17, 2019 - Berry Campbell

Gallery Talk by Karen Wilkin  
Wednesday, May 8, 2019
6:45 pm  

Karen Wilkin is an independent curator and critic.  She was previously the curator of “American Vanguards,” on view at the Neuberger Museum, SUNY Purchase and a faculty member at the New York Studio School. She is an art historian, curator, and critic, educated at the High School of Music and Art, Barnard College, and Columbia University. After living and working in Italy and Canada for some years, Ms. Wilkin returned to her native Manhattan in 1985. She lives near the Empire State Building with her architect husband and two Maine Coon cats. A specialist in 20th century modernism, Ms. Wilkin has organized numerous exhibitions internationally and written monographs on David Smith, Helen Frankenthaler, Anthony Caro, Kenneth Noland, Stuart Davis, Giorgio Morandi, and George Braque, and is the co-author, with Clifford Ross, of The World of Edward Gorey. She contributes regularly to The New CriterionPartisan Review, and Hudson Review. Her recent projects include a study of Clement Greenberg’s personal collection for the Portland Art Museum, Portland, Oregon, and “David Smith: Two into Three Dimensions”, the first exhibition to examine Smith’s reliefs as a coherent body of work, in relation to his drawings, paintings, and free-standing sculptures, which will be seen at the New York Academy Museum at the end of 2001. 

News: Mike Solomon Included in

Mike Solomon Included in "On the Grid" at VSOP Projects

April 15, 2019

VSOP Projects
Greenport, New York
April 13 - May 19, 2019

As a formal device, the grid defines and divides space, serving as a framework for which a given subject might be expressed. As an art historical element, the grid has been employed as a compositional guide in renaissance painting, an ideal in the Bauhaus, and a form to be obliterated by the abstract expressionists and action painters. In many ways, modern life has been influenced by grids, from city planning to microchips, and yet, for every practicality imposed on the utilitarian x and y axis, there is a possibility for chance, spontaneity, and art.

Artists participating in "On the Grid" include Sabra Moon Elliot, Darlene Charneco, Bastienne Schmidt, Christine Sciulli, Mike Solomon, Colin Goldberg, Drew Shiflett, Patience Pollock, Daniel Sullivan, Robert Otto Epstein, Ryan DaWalt, and Josh Cohen.

Please contact for more information. 

News: Museum Acquisition: Mike Solomon, April 10, 2019 - Berry Campbell

Museum Acquisition: Mike Solomon

April 10, 2019 - Berry Campbell

Greenville County Museum of Art
Greenville, South Carolina

Mike Solomon
Radiant Acquiescence (For Mark Tobey), 2017
Watercolor on papers infused in resin
48 x 36 inches

View More Works by Mike Solomon

News: Frank Wimberley Exhibiting in

Frank Wimberley Exhibiting in "Prime Time" at the Islip Art Museum

April 4, 2019 - Berry Campbell

Islip Art Museum
Islip, New York
April 23 - June 15, 2019  

May 11, 2019
1 - 4 pm  

More Information  
View More Works by Frank Wimberley

News:  Paint, abstract art, focus of James Little curated exhibition at Art Students League, March 21, 2019 - NADINE MATTHEWS

Paint, abstract art, focus of James Little curated exhibition at Art Students League

March 21, 2019 - NADINE MATTHEWS

In an interview in BOMB magazine a few years ago, artist James Little declared, “I choose to be abstract because that’s where I found my voice, because it best reflects my self-determination and free will. That’s why I love abstraction, it forces us to see things in a different way. It forces us to come out of what we have been trained and conditioned to see. It forces us to use another part of our brain.”

Little’s love for abstract art is now literally on display at the Art Students League, where he is also an instructor. Titled “New York-Centric,” it is an exhibition curated by Little that will run through May 1. As described in promotional materials from the 144 year old institution, “New York-Centric” is, “An exhibition dedicated to color, color theory, design, expressionism. All of the work on display was produced in New York during the latter half of the 20th century or the beginning of the 21st century.”