Elaine de Kooning

Elaine de Kooning News: UPCOMING EXHIBITION | MASTER IMPRESSIONS: Artists and Printers on the South Fork (1965 - 2010), January  9, 2024

UPCOMING EXHIBITION | MASTER IMPRESSIONS: Artists and Printers on the South Fork (1965 - 2010)

January 9, 2024

MASTER IMPRESSIONS: Artists and Printers on the South Fork (1965 - 2010)

January 14th - February 25th

Opening Reception:
Saturday, January 13th
6 PM - 7:30 PM

We are delighted to announce our first exhibition of 2024: Master Impressions: Artists and Printers on the South Fork. Featuring approximately 20 works dating from 1965-2010 by artists who have made art on the South Fork of Long Island, the exhibition highlights ways in which artists of the region have masterfully explored varied techniques of the medium. Prints are a testament to the collaborative potential of the creative process and demonstrate how artists, printers, and the press working together can achieve results that surpass individual expertise.

Featuring: Romare Bearden, Nanette Carter, Robert Dash, Elaine de Kooning, Eric Fischl, Dan Flavin, Connie Fox, April Gornik, Grace Hartigan, Mary Heilmann, Jasper Johns, Ellsworth Kelly, Fay Lansner, Gerson Leiber, Roy Lichtenstein, Robert Longo, Robert Motherwell, Alfonso Ossorio, Ellen Peckham, Jackson Pollock, Abraham Rattner, Dan Rizzie, James Rosenquist, Esteban Vicente, Dan Welden, and Hale Woodruff

For press information and more details, please contact info@thechurchsagharbor.org.

Read More >>
Elaine de Kooning News: 'Women Choose Women' Exhibition at The Barn Celebrates Unstoppable Girl Power, August  2, 2023 - Rachel Feinblatt for Hamptons Magazine

'Women Choose Women' Exhibition at The Barn Celebrates Unstoppable Girl Power

August 2, 2023 - Rachel Feinblatt for Hamptons Magazine


Proving that no force is stronger than girl power, Frampton Co and Berry Campbell present Women Choose Women at Exhibition The Barn.

Read More >>
Elaine de Kooning News: "Berry Campbell: Community" Opens at Ashawagh Hall, East Hampton, New York, August 11, 2022 - Berry Campbell

"Berry Campbell: Community" Opens at Ashawagh Hall, East Hampton, New York

August 11, 2022 - Berry Campbell

Berry Campbell: Community
August 11 - 14, 2022
Berry Campbell at Ashawagh hall
780 Springs Fireplace Road
 East Hampton, New York 11937

Preview Exhibiton

Read More >>
Elaine de Kooning News: East Hampton Star: Chelsea to Springs , August 11, 2022 - Mark Segal for East Hampton Star

East Hampton Star: Chelsea to Springs

August 11, 2022 - Mark Segal for East Hampton Star

Chelsea to Springs

Chelsea’s Berry Campbell Gallery takes over Ashawagh Hall in Springs from today through Sunday with a large group exhibition of artists, past and present, with strong East End connections.

The show includes works by Mary Abbott, Alice Baber, Nanette Carter, Dan Christensen, Eric Dever, Elaine de Kooning, Perle Fine, Grace Hartigan, Raymond Hendler, John Opper, Charlotte Park, Betty Parsons, Mike Solomon, Syd Solomon, Hedda Sterne, Susan Vecsey, Lucia Wilcox, Frank Wimberley, and Larry Zox.

Gallery hours are today through Saturday, 11 a.m. to 7 p.m., and noon to 6 on Sunday.

Read More >>
Elaine de Kooning News: Artsy Viewing Room | Berry Campbell at Intersect Aspen: Women of Abstract Expressionism , July 21, 2021 - Artsy

Artsy Viewing Room | Berry Campbell at Intersect Aspen: Women of Abstract Expressionism

July 21, 2021 - Artsy

Berry Campbell at Intersect Aspen:
Women of Abstract Expressionism
Booth A15

Visit Viewing Room

Read More >>
Elaine de Kooning News: Artist's Choice: Interconnected Launches Digitally, May  7, 2020 - Berry Campbell

Artist's Choice: Interconnected Launches Digitally

May 7, 2020 - Berry Campbell

Artist's Choice: Interconnected
May 7 - June 7, 2020
View Exhibition

Berry Campbell is pleased to announce Artist’s Choice: Interconnected, an exclusive online exhibition of works from gallery’s inventory chosen by Berry Campbell’s represented contemporary artists. Eric Dever, Judith Godwin, Ken Greenleaf, Jill Nathanson, Ann Purcell, Mike Solomon, Susan Vecsey, James Walsh, Joyce Weinstein, and Frank Wimberley have thoughtfully selected one work from our gallery inventory that they associate with their own creative process and artistic journey. This artist-curated exhibition is an inquiry into the lines of influence and connections within our Berry Campbell artist community. Artist’s Choice: Interconnected launches digitally May 7, 2020.

The choices are sometimes expected, and at other times, surprising.  Some artists were inspired by a painting from an artist they had never met, and others paid tribute to old friends or mentors.  Judith Godwin recalls good times with her old friend and art dealer, Betty Parsons.  James Walsh remembers a painting by Walter Darby Bannard from a 1981 show at Knoedler Gallery.  Mike Solomon pays homage to the perseverance of abstract painter and dear friend, Frank Wimberley saying: “The quiet intermingling of his experience, with the purity of painting, gives his abstractions an authenticity and delicacy that is profound to witness.”  Ken Greenleaf favorite is Cloistered #5 (1968) by Ida Kohlmeyer, delighting in the pure abstraction.  Jill Nathanson picked a color-field forerunner, Dan Christensen.  Ann Purcell admitted to being picky but found true inspiration after visiting our Yvonne Thomas show repeatedly.  Eric Dever ruminates about Charlotte Park: “Like a favorite poem, novel or even film, a painting can be a touchstone, something one returns to with certain regularity; perhaps a gauge of some kind, beginning with personal happiness on the occasion of discovery and new revelation as our lives unfold.”  Joyce Weinstein finds parallels with John Opper.  Susan Vecsey loves the “stillness and movement” of Elaine de Kooning’s Six Horses, Blue Wall (1987).  No coincidence that Vecsey lives down the road from the Elaine de Kooning house in the Hamptons. Frank Wimberley recalls of Herman Cherry: “He was one of the East End artists who wished to me to succeed.”

ABOUT BERRY CAMPBELL
Christine Berry and Martha Campbell have many parallels in their backgrounds and interests. Both studied art history in college, began their careers in the museum world, and later worked together at a major gallery in midtown Manhattan. Most importantly, however, Berry and Campbell share a curatorial vision.

Both art dealers developed a strong emphasis on research and networking with artists and scholars during their art world years. They decided to work together, opening Berry Campbell Gallery in 2013 in the heart of New York's Chelsea art district, at 530 West 24th Street on the ground floor. In 2015, the gallery expanded, doubling its size with an additional 2,000 square feet of exhibition space.

Highlighting a selection of postwar and contemporary artists, the gallery fulfills an important gap in the art world, revealing a depth within American modernism that is just beginning to be understood, encompassing the many artists who were left behind due to race, gender, or geography-beyond such legendary figures as Pollock and de Kooning. Since its inception, the gallery has been especially instrumental in giving women artists long overdue consideration, an effort that museums have only just begun to take up, such as in the 2016 traveling exhibition, Women of Abstract Expressionism, curated by University of Denver professor Gwen F. Chanzit. This show featured work by Perle Fine and Judith Godwin, both represented by Berry Campbell, along with that of Helen Frankenthaler, Lee Krasner, and Joan Mitchell. In 2019, Berry Campbell's exhibition, Yvonne Thomas: Windows and Variations (Paintings 1963 - 1965) was reviewed by Roberta Smith for the New York Times, in which Smith wrote that Thomas, "... kept her hand in, adding a fresh directness of touch, and the results give her a place in the still-emerging saga of postwar American abstraction.”

In addition to Perle Fine and Judith Godwin, artists whose work is represented by the gallery include Edward Avedisian, Walter Darby Bannard, Stanley Boxer, Dan Christensen, Eric Dever, John Goodyear, Ken Greenleaf, Raymond Hendler, Ida Kohlmeyer, Jill Nathanson, John Opper, Stephen Pace, Charlotte Park, William Perehudoff, Ann Purcell, Mike Solomon, Syd Solomon, Albert Stadler, Yvonne Thomas, Susan Vecsey, James Walsh, Joyce Weinstein, Frank Wimberley, Larry Zox, and Edward Zutrau. The gallery has helped promote many of these artists' careers in museum shows including that of Bannard at the Institute of Contemporary Art, Miami (2018-19); Syd Solomon, in a traveling museum show which culminates at the John and Mable Ringling Museum in Sarasota and has been extended through 2021; Stephen Pace at The McCutchan Art Center/Pace Galleries at the University of Southern Indiana (2018) and at the Provincetown Art Association and Museum (2019); and Vecsey and Mike Solomon at the Greenville County Museum of Art, South Carolina (2017 and 2019, respectively); and Eric Dever at the Suffolk Community College, Riverhead, New York (2020). In an April 3, 2020 New York Times review of Berry Campbell's exhibition of Ida Kohlmeyer's Cloistered paintings, Roberta Smith stated: “These paintings stunningly sum up a moment when Minimalism was giving way to or being complicated by something more emotionally challenging and implicitly feminine and feminist. They could hang in any museum.”

Collaboration is an important aspect of the gallery. With the widened inquiries and understandings that have resulted from their ongoing discussions about the art world canon, the dealers feel a continual sense of excitement in the discoveries of artists and research still to be made.

Berry Campbell is located in the heart of the Chelsea Arts District at 530 West 24th Street, Ground Floor, New York, NY 10011.  For further information, contact us at 212.924.2178, info@berrycampbell.com or www.berrycampbell.com.

Read More >>
Elaine de Kooning News: Elaine de Kooning, Perle Fine, Judith Godwin, Charlotte Park, Yvonne Thomas, Joyce Weinstein | Art Students League: Postwar Women, October 29, 2019 - Art Students League

Elaine de Kooning, Perle Fine, Judith Godwin, Charlotte Park, Yvonne Thomas, Joyce Weinstein | Art Students League: Postwar Women

October 29, 2019 - Art Students League

November 2 − December 1
Art Students League: The Phyllis Harriman Mason Gallery

Postwar Women is The Art Students League’s first exhibition to explore the vital contributions of these alumnae on the international stage. On view at The Phyllis Harriman Mason Gallery from November 2 to December 1, 2019, Postwar Women challenges the misperception that great art produced by women artists is somehow an exception rather than the rule. Curator Will Corwin investigates the history of innovative art academies like The League that promoted democratic ideologies, which in turn created artistic opportunities for women of all social classes. This ground-breaking exhibition features over forty artists active between 1945-65, tracing the complex networks these professional women formed to support one another and their newfound access to art education. Postwar Women presents work by some of the prominent artists of the 20th Century like Louise Bourgeois and Helen Frankenthaler, but more importantly it calls out the women who were not credited enough: Mavis Pusey, Kazuko Miyamoto, Olga Albizu and Helena Vieira da Silva – challenging a new generation of visitors and art students to KNOW YOUR FOREMOTHERS.

Featured Artists:
Berenice Abbott, Mary Abbott, Olga Albizu, Janice Biala, Isabel Bishop, Nell Blaine, Regina Bogat, Louise Bourgeois, Vivian Browne, Elizabeth Catlett, Dorothy Dehner, Elaine de Kooning, Monir Farmanfarmaian, Perle Fine, Helen Frankenthaler, Judith Godwin, Terry Haass, Grace Hartigan, Carmen Herrera, Eva Hesse, Faith Hubley, Lenore Jaffee, Gwendolyn Knight, Lee Krasner, Blanche Lazzell, Marguerite Louppe, Lenita Manry, Marisol, Mercedes Matter, Kazuko Miyamoto, Louise Nevelson, Charlotte Park, Joyce Pensato, Irene Rice Pereira, Mavis Pusey, Faith Ringgold, Edith Schloss, May Stevens,  Yvonne Thomas, Lynn Umlauf, Maria Vieira da Silva, Merrill Wagner, Joyce Weinstein, Michael West

Read More >>
Elaine de Kooning News: Hiding in Plain Sight at Amar Gallery included in Vanity Fair London's Pick of Frieze Week, October 24, 2018 - Thomas Barrie for Vanity Fair

Hiding in Plain Sight at Amar Gallery included in Vanity Fair London's Pick of Frieze Week

October 24, 2018 - Thomas Barrie for Vanity Fair

Amar Singh’s eponymous Islington gallery has a simple but laudable ethos, specializing in exhibitions of LGBTQ and female artists with diverse, progressive narratives. Raised in London but a member of the royal Kapurthala family of Punjab, Singh was one of many political campaigners who made up a global coalition that last month recorded a landmark legal victory in India, overturning the country’s 2013 criminalization of gay sex. Now, Amar Gallery is turning to one of the lesser-known histories of art, with an exhibition of the women behind Abstract Expressionism in 1950s and 60s America. Lynne Mapp DrexlerElaine de KooningJoan MitchellGrace Hartigan and myriad others take pride of place in Hiding in Plain Sight, which explores the female painters who have been neglected in favour of their more barnstorming counterparts—the Rothkos, the Pollocks and the Newmans. There’s a pioneering spirit to the paintings, be they the natural blooms Drexler cultivated on her canvases, or the liquid colour-field stains of Helen Frankenthaler, made all the more engrossing by the fact that many of these artists have never been exhibited in the U.K. before.

Read More >>