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Walter Darby Bannard at Berry Campbell

Berry Campbell presents the work of Walter Darby Bannard, a leading figure in color field painting in the 1950s. In “Vanadium,” Bannard emphasized the opticality of the painted surface, applying gesso with a squeegee leaving fine ridges. Thin layers of light green and ochre were poured and allowed to settle in the creases.

In “Glass Mountain Fireball,” Bannard’s liquid paint technique sees orange and yellow tints wash over green underpainting. While many artists are secretive about their methods, Berry says that Bannard freely explained his process, confident that other artists “aren’t going to be able to do it.” Having been the head of the painting department at the University of Miami, we can assume his claim was accurate.